Nazaré and Immersive Media: New Approaches to Cultural Heritage through Mixing Old and New Media

407

“I am not really sure how to explain”: Marketing Augmented Reality Experiences to New Audiences

369

Audience as Co-writers: Using Conversational AI to Deliver Audience Agency in a Participatory Drama

467

Inverting the ‘Black Box’ of Technology: The Digital Ghost Hunt

283

Is This Even Possible?: Co-creating University and Industry Learnings for Immersive Experiences

152

(In-)Between Spaces: Challenges in Defining the Experience of Space in Mixed Reality Art Exhibitions

346

The ‘Truth of Sound’: Exploring Immersive Location Sound Recording in Realist Filmmaking

667

Dis_place: Reflections on Creating Mixed Reality Performance using Virtual Reality Technologies

509

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